Dread Scott: Decision, 2012
Performance, 1 hr 15 min. Video documentation, 6 min. 4 sec.
Dread Scott: Decision is a performance that reflects on a country whose democracy is rooted in slavery. These roots are woven into the fabric of the country including in its founding documents. The performance featured three main elements:
Scott read from the text of the 1857 Supreme Court Dred Scott decision, which ruled that slaves were property and were “so far inferior, that they had no rights which the white man was bound to respect.”
A group of four nude black men were guarded and controlled by two German shepherd dogs and their handlers. The dogs barked loudly and frequently at the group of men throughout the performance which made it difficult to hear the reading.
The audience was also part of the performance. They were corralled into a line and asked to go one at a time into a “voting booth” to one at a time and respond to questions within the booth. To get to the booth they had to pass through the line of black men. These three elements occurred simultaneously.
The nude black men stood in a line and changed positions occasionally throughout the performance. There was no separation between the dogs with their handlers and the prisoners that they “guarded.” Likewise, the audience was not separated from the men or the dogs, though they were not to be allowed near the dogs. The men looked at the audience throughout the performance.
In the voting booth, the vote would not stop the control and harassment of the black men in the performance. The questionnaire in the booth posed moral questions to each audience member individually. Would they have voted in a segregated election? Would they vote in the upcoming US presidential election if their vote implied acceptance of continuing the legacy of slavery within US society?
Clifford Owens, Lawrence Graham-Brown, Wilmer Wilson IV, and “Roc” Belizaire performed with Dread Scott. Mallory Catlett directed the performance.
Dread Scott: Decision was part of Brooklyn Bred, a set of performances at the Brooklyn Art Museum-Fisher, curated by Martha Wilson. It was premiered as part of BAM’s 30th Anniversary Next Wave Festival.
The text of the Dred Scott decision is a lengthy argument for white supremacy. Its arguments are rooted in the US Constitution and the Declaration of Independence, as well as US laws and customs. It is well worth reading.