August Bradley
Vanessa Bahmani
Alexander Zemlianichenko Jr
Charif Benhelima
Mel Chin
Celia Alvarez Muñoz
Ann Harithas
Nazar Yahya
Linarejos Moreno
Ernesto Leon
Joe Cardella
Artifactual Realities is a FotoFest 2012 exhibition of eleven artists. The exhibition consists of three photographers who are engaged in presenting realistic portraits and images from the Occupy movement and eight artists who create non-traditional or simply unusual artworks utilizing photography. As such, the exhibition as a whole mirrors the community spirit, diversity, and horizontal orientation underlying the Occupy movement.
The artists in this exhibition have developed an aesthetic approach that is consistent with their particular social, political, and spiritual interests. Each one deals with issues that are critical to themselves, to their intellectual milieu, and to their own brand of realism and idealism. From this standpoint one can safely predict an end to the twentieth-century era of a succession of styles. Like the computers they use to enhance or change their subject matter, or even brighten the content of their art, contemporary artists use a multi-faceted range of informational extensions, implying a horizontal approach to the creative process. Another aspect of twenty-first-century art is the use by artists of critical thinking combined with emotional references that together are beginning to shape the art of the new century.
Artifactual Realities takes society into account not simply as a reflection of the global community but also as an action-site, that is, as an artifact of communal exchange. This exhibition is dedicated to the work of eleven photographers/artists who, each in their own way, are concerned with issues of revolution, spirituality, and memory.
Curated by the Station Museum Staff:
James Harithas . Alan Schnitger . Kari Steele . Jordan Poole . Tim Gonzalez . Lia Harithas
Artifactual Realities: March 17, 2012 – July 15, 2012
Vanessa Bahmani, From the series: "We Are The 99 Percent", 2011, Inkjet on photo paper, 24” x 20”
Vanessa Bahmani, From the series: "We Are The 99 Percent", 2011, Inkjet on photo paper, 24” x 20”
Alexander Zemlianichenko Jr’s photographs, Installation view Station Museum of Contemporary Art, 2012
Alexander Zemlianichenko Jr’s photographs, Installation view Station Museum of Contemporary Art, 2012
(AP, Associated Press Photo/Alexander Zemlianichenko Jr) Russian police officers, with their helmets’ protective visor frost covered, block a square where demonstrators gather for an unsanctioned opposition rally in downtown Moscow, Russia, Tuesday, Jan. 31, 2012. The Russian opposition protests on the 31st of each month are a nod to the 31st article of the Russian constitution, which guarantees the right of assembly., 2012, Inkjet on photo paper, 35” x 40”
(AP, Associated Press Photo/Alexander Zemlianichenko Jr) Russian police officers, with their helmets’ protective visor frost covered, block a square where demonstrators gather for an unsanctioned opposition rally in downtown Moscow, Russia, Tuesday, Jan. 31, 2012. The Russian opposition protests on the 31st of each month are a nod to the 31st article of the Russian constitution, which guarantees the right of assembly., 2012, Inkjet on photo paper, 35” x 40”
(AP, Associated Press Photo/Alexander Zemlianichenko Jr) Young protesters shout anti-Putin slogans during protests in Triumphal Square in Moscow, Russia, against alleged vote rigging in Russia’s parliamentary elections., 2011, Inkjet on photo paper, 30” x 35”
(AP, Associated Press Photo/Alexander Zemlianichenko Jr) Young protesters shout anti-Putin slogans during protests in Triumphal Square in Moscow, Russia, against alleged vote rigging in Russia’s parliamentary elections., 2011, Inkjet on photo paper, 30” x 35”
Installation view Station Museum of Contemporary Art: Charif Benhelima, "Semites: A Wall Under Construction", 2005 - 2011, 135 Ilfochrome prints on Diasec, from Polaroid 600, Each print 41” x 41”
Installation view Station Museum of Contemporary Art: Charif Benhelima, "Semites: A Wall Under Construction", 2005 - 2011, 135 Ilfochrome prints on Diasec, from Polaroid 600, Each print 41” x 41”
Charif Benhelima, "Semites: A Wall Under Construction", 2005 - 2011, 135 Ilfochrome prints on Diasec, from Polaroid 600, Each print 41” x 41”
Charif Benhelima, "Semites: A Wall Under Construction", 2005 - 2011, 135 Ilfochrome prints on Diasec, from Polaroid 600, Each print 41” x 41”
Mel Chin’s installation "The Funk and Wag From A to Z", Station Museum of Contemporary Art, 2012
Mel Chin’s installation "The Funk and Wag From A to Z", Station Museum of Contemporary Art, 2012
From Mel Chin’s installation "The Funk and Wag From A to Z", "Masters of War", Volume XX, No. 2, 2011 Excised printed pages from The Universal Standard Encyclopedia, 1954, by Wildred Funk, Inc., archival water based glue, imported artist paper, 17” x 23”
From Mel Chin’s installation "The Funk and Wag From A to Z", "Masters of War", Volume XX, No. 2, 2011 Excised printed pages from The Universal Standard Encyclopedia, 1954, by Wildred Funk, Inc., archival water based glue, imported artist paper, 17” x 23”
From Mel Chin’s installation "The Funk and Wag From A to Z", "The String that Flies Cannot be Untied", Volume XIV, No. 1, 2011 Excised printed pages from The Universal Standard Encyclopedia, 1954, by Wildred Funk, Inc., archival water based glue, imported artist paper 17” x 23”
From Mel Chin’s installation "The Funk and Wag From A to Z", "The String that Flies Cannot be Untied", Volume XIV, No. 1, 2011 Excised printed pages from The Universal Standard Encyclopedia, 1954, by Wildred Funk, Inc., archival water based glue, imported artist paper 17” x 23”
Ernesto Leon, "Occupy Houston", 2012, Inkjet on photo paper, 48” x 26”
Ernesto Leon, "Occupy Houston", 2012, Inkjet on photo paper, 48” x 26”
Installation Station Museum of Contemporary Art, August Bradley, From the series: "99 Faces of Occupy Wall St.", 2011. Inkjet on photo paper, 30” x 22.5”
Installation Station Museum of Contemporary Art, August Bradley, From the series: "99 Faces of Occupy Wall St.", 2011. Inkjet on photo paper, 30” x 22.5”
August Bradley, From the series: "99 Faces of Occupy Wall St.", 2011. Inkjet on photo paper, 30” x 22.5”
August Bradley, From the series: "99 Faces of Occupy Wall St.", 2011. Inkjet on photo paper, 30” x 22.5”
Ann Harithas, "Elephant Cherub Tire", 2012, Digital collage on plex and gold leaf on painted canvas, 48” x 67”
Ann Harithas, "Elephant Cherub Tire", 2012, Digital collage on plex and gold leaf on painted canvas, 48” x 67”
Left: Installation view Station Museum of Contemporary Art, Ann Harithas, 2012
Left: Installation view Station Museum of Contemporary Art, Ann Harithas, 2012
Nazar Yahya, "Luminosity", 2011, Edition 1/3, Giclee print on Fine Art paper, 54 in. x 36 in.
Nazar Yahya, "Luminosity", 2011, Edition 1/3, Giclee print on Fine Art paper, 54 in. x 36 in.
Nazar Yahya, Installation View Station Museum of Contemporary Art, 2012
Nazar Yahya, Installation View Station Museum of Contemporary Art, 2012
Installation view Station Museum of Contemporary Art, Celia Alvarez Muñoz, "Semajante Personajes / Significant Personalities", 2002 - 2012, Digital Holgas 41 prints 14” x 30“ - 40”, Installation dimensions vary
Installation view Station Museum of Contemporary Art, Celia Alvarez Muñoz, "Semajante Personajes / Significant Personalities", 2002 - 2012, Digital Holgas 41 prints 14” x 30“ - 40”, Installation dimensions vary
Celia Alvarez Muñoz, "Semajante Personajes / Significant Personalities", 2002 - 2012, Digital Holgas 41 prints 14” x 30“ - 40”, Installation dimensions vary
Celia Alvarez Muñoz, "Semajante Personajes / Significant Personalities", 2002 - 2012, Digital Holgas 41 prints 14” x 30“ - 40”, Installation dimensions vary
(detail) Artist, Mel Casas
(detail) Artist, Mel Casas
Joe Cardella, "Contemplation", 2012, Inkjet on photo paper and mixed media, Photo: 90” x 66”, Installation dimensions vary
Joe Cardella, "Contemplation", 2012, Inkjet on photo paper and mixed media, Photo: 90” x 66”, Installation dimensions vary
Joe Cardella, "Contemplation", 2012, Inkjet on photo paper and mixed media, Photo: 90” x 66”, Installation dimensions vary
Joe Cardella, "Contemplation", 2012, Inkjet on photo paper and mixed media, Photo: 90” x 66”, Installation dimensions vary
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, Installation view Station Museum of Contemporary Art, 2012
Linarejos Moreno, (detail), "Corte y Retroceso de hilos I. / Cutting and Rebounding of Threads", 2010, Inkjet print on burlap, 62” x 118”
Linarejos Moreno, (detail), "Corte y Retroceso de hilos I. / Cutting and Rebounding of Threads", 2010, Inkjet print on burlap, 62” x 118”
Special Thanks for supporting Linarejos Moreno’s exhibition: